Episode 58: What Do Critics Do?

Episode 58: What Do Critics Do?

Author: SpectreVision Radio October 23, 2019 Duration: 1:00:34
What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience. Header image: Caravaggio, The Calling of Saint Matthew (1599-1600) REFERENCES Dave Hickey, Air Guitar: Essays on Art and Democracy Plato, Republic Oscar Wilde, "The Decay of Lying" Phil Ford, Dig: Sound and Music in Hip Culture Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature Deleuze and Félix Guattari, What is Philosophy? Dave Hickey, "Buying the World" Clinton e-mails exhibition at the Venice Biennale Oscar Wilde, The Portrait of Dorian Gray Learn more about your ad choices. Visit megaphone.fm/adchoices

At the heart of Weird Studies, a podcast from SpectreVision Radio, you’ll find long-form conversations between Professor Phil Ford and writer J. F. Martel. Their discussions aren’t simple reviews or straightforward analyses; instead, they wander through the tangled undergrowth where art and philosophy meet, giving generous time to concepts that resist easy understanding and to creative works that fracture our ordinary sense of the world. This podcast deliberately lingers in that ambiguous space, treating the “weird” not as a genre but as a particular mode of experience-one that reveals the cracks in what we comfortably assume is real. Each episode feels like joining a deep, meandering dialogue between two friends who are both deeply knowledgeable and endlessly curious, covering a vast terrain that includes literature, film, music, and esoteric thought. It’s a show for anyone who suspects that the most profound truths are often found in the shadows, the anomalies, and the strangely beautiful. As part of the SpectreVision Radio network, which specializes in content that explores the uncanny edges of creativity, Weird Studies builds a unique community of listeners who are eager to think differently. You won’t find pat answers here, but you will encounter compelling questions and a shared sense of exploration that makes each installment a distinctive journey.
Author: Language: English Episodes: 230

Weird Studies
Podcast Episodes
Bonus: The Duke of Ellington [not-audio_url] [/not-audio_url]

Duration: 1:04:30
When the quarantine began, professors around the world raced to put their classes online, and for the Jacobs School's big undergraduate music history course (M402 represent!) Phil created a series of solo podcasts, many…
Episode 74: A Luminous Parasite: Jung on Art, Part Two [not-audio_url] [/not-audio_url]

Duration: 1:11:53
In this second part of their exploration of C. G. Jung's essay "On the Relation of Analytical Psychology to Poetry," JF and Phil try to discern the psychological and metaphysical implications of the great Swiss psycholog…
Episode 73: Carl Jung and the Power of Art, Part One [not-audio_url] [/not-audio_url]

Duration: 1:04:42
This is the first of two conversations that Phil and JF are devoting to C. G. Jung's seminal essay, "On the Relation of Analytical Psychology to Poetry," first delivered in a 1922 lecture. It was in this text that Jung m…
Episode 72: Morning of the Mutants: On the Castrati [not-audio_url] [/not-audio_url]

Duration: 1:14:28
For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The p…
Episode 71: The Medium is the Message [not-audio_url] [/not-audio_url]

Duration: 1:25:35
On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important…
Episode 70: Masks All the Way Down, with James Curcio [not-audio_url] [/not-audio_url]

Duration: 1:17:19
James Curcio is an American multidisciplinary artist and nonfiction writer whose works include the novels Join My Cult, The Party at the World's End, and the upcoming Tales from When I Had a Face. Recently, Curcio edited…
Episode 69: Special Episode: On Some Mental Effects of the Pandemic [not-audio_url] [/not-audio_url]

Duration: 59:38
What is there to say about the COVID-19 virus that hasn't already been said, over and over again, all around the world, in quaratined houses and on TV and social media and countless Zoom chats ... what can we say that yo…
Episode 68: On James Hillman's 'The Dream and the Underworld' [not-audio_url] [/not-audio_url]

Duration: 1:15:44
In 1979, the American psychologist James Hillman published The Dream and the Underworld, a polemical meditation on the nature of dreams. Rejecting the orthodoxies of both Freud and Jung, Hillman argued that the the "nigh…