Before 1977, flamenco percussion relied solely on hand‑clapping and dancers' footwork. But that year, at a party in Lima, Peru, the cajon entered the scene.
Spanish guitarist Paco de Lucia and Brazilian percussionist Rubem Dantas attended an event at the Spanish embassy where they saw local musicians playing the cajon, an Afro‑Peruvian box drum that evolved from the wooden crates enslaved people used to make music in the 17th century. Since then, the cajon has become a staple of flamenco.
Rubem Dantas spoke to Stefania Gozzer about what happened that night.
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(Photo: Spanish Flamenco dancer Belen Lopez and members of her Flamenco dancing company in Portugal. Credit: Corbis via Getty Images)
