Greg Pierce, Karen Kamensek, and Adapted Work

Greg Pierce, Karen Kamensek, and Adapted Work

Author: Keturah Stickann April 5, 2021 Duration: 49:42

Keturah begins this episode speaking with conductor, Karen Kamensek, who talks to her about a moment in Verdi and Boito’s Otello that moves her.  They also talk about Falstaff, and the frustrations of being an artist during Covid.

Keturah’s second interview is with librettist and playwright, Greg Pierce, who collaborated with Gregory Spears on Fellow Travelers, Nico Muhly on The Glitch, and is in the process of collaborating with Kevin Puts on The Hours, which will premiere at the Met.  They discuss adaptation, as well as the differences between writing plays and writing libretti.

Karen Kamensek: https://www.karenkamensek.com/
Arrigo Boito: https://www.britannica.com/biography/Arrigo-Boito
Greg Pierce: https://www.lyricopera.org/about/company/artists-musicians/composers-librettists/greg-pierce/
Gregory Spears: http://www.gregoryspears.com/
Nico Muhly: http://nicomuhly.com/
Kevin Puts: http://www.kevinputs.com/


In Words First: Talking Text in Opera, stage director Keturah Stickann pulls back the curtain on the most fundamental, yet often overlooked, element of the art form: the words themselves. This isn't a historical survey or a review show. Instead, each episode is a focused, revelatory conversation that digs into the craft of putting language to music. Keturah sits down with the people who shape opera's narratives-librettists wrestling with poetic meter and dramatic structure, lyricists adapting contemporary stories, producers championing new works, and singers who must embody this text night after night. They discuss the unique challenges and quiet triumphs of storytelling in a musical medium, exploring how a single word choice can alter a character's entire journey or how a phrase must bend to fit a composer's line. The podcast lives in the specifics, offering a rare glimpse into the collaborative alchemy between page and stage. You'll hear about the meticulous work that happens long before the first orchestral rehearsal, gaining a deeper appreciation for opera as a living, breathing form of drama. It's for anyone curious about the mechanics of artistic creation, whether you're a seasoned opera-goer or simply fascinated by how stories are built from the ground up. Join Keturah and her guests for these intimate, insightful dialogues that truly put the words first.
Author: Language: English Episodes: 63

Words First: Talking Text in Opera
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