Melissa Dunphy and Composing Politics

Melissa Dunphy and Composing Politics

Author: Keturah Stickann March 22, 2021 Duration: 1:01:42

In this episode about politics and political figures in opera, Keturah starts with an excerpt from her interview with Director, Daniel Kramer, about Pat Nixon’s aria in John Adams and Alice Goodman’s Nixon in China.

Daniel Kramer - http://danielkramerdirector.com/bio
Nixon in China (Opera) - https://www.britannica.com/topic/Nixon-in-China
Nixon in China (History) - https://www.pbs.org/wgbh/americanexperience/features/china-visit/

Keturah’s next interview is with conductor, Steven Osgood.  They discuss one moment with Jackie Kennedy in the David T. Little and Royce Vavrek Opera, J.F.K.

Steven Osgood - http://www.srosgood.com/
J.F.K. (Opera) - https://www.altnyc.org/operas/jfk

Lastly, Keturah interviews Australian composer, Melissa Dunphy, about why she considers herself a “political composer,” and what it was like composing to actual hearing transcripts for her piece, The Gonzales Cantata, about George W. Bush’s disgraced attorney general, Alberto Gonzales.

Melissa Dunphy - https://www.melissadunphy.com/
The Gonzales Cantata - http://www.gonzalescantata.com/
Jacqueline Goldfinger - http://www.jacquelinegoldfinger.com/
William Butler Yeats - https://www.poetryfoundation.org/poets/william-butler-yeats
Alberto Gonzales - https://www.britannica.com/biography/Alberto-R-Gonzales
Arlen Specter - https://www.britannica.com/biography/Arlen-Specter
Cantata - https://www.britannica.com/art/cantata-music


In Words First: Talking Text in Opera, stage director Keturah Stickann pulls back the curtain on the most fundamental, yet often overlooked, element of the art form: the words themselves. This isn't a historical survey or a review show. Instead, each episode is a focused, revelatory conversation that digs into the craft of putting language to music. Keturah sits down with the people who shape opera's narratives-librettists wrestling with poetic meter and dramatic structure, lyricists adapting contemporary stories, producers championing new works, and singers who must embody this text night after night. They discuss the unique challenges and quiet triumphs of storytelling in a musical medium, exploring how a single word choice can alter a character's entire journey or how a phrase must bend to fit a composer's line. The podcast lives in the specifics, offering a rare glimpse into the collaborative alchemy between page and stage. You'll hear about the meticulous work that happens long before the first orchestral rehearsal, gaining a deeper appreciation for opera as a living, breathing form of drama. It's for anyone curious about the mechanics of artistic creation, whether you're a seasoned opera-goer or simply fascinated by how stories are built from the ground up. Join Keturah and her guests for these intimate, insightful dialogues that truly put the words first.
Author: Language: English Episodes: 63

Words First: Talking Text in Opera
Podcast Episodes
Roberta Gumbel, Patrick Summers, and Singing About Family [not-audio_url] [/not-audio_url]

Duration: 42:46
In this episode, Keturah ponders the topic of familial protection in opera text, pointing out her recent viewing of Kamala Sankaram and Jerre Dye’s Taking up Serpents at Chicago Opera Theater, as well as other operas tha…
Cerise Jacobs, Lillian Groag, and the Importance of the Story [not-audio_url] [/not-audio_url]

Duration: 1:04:00
Keturah speaks with librettist and producer, Cerise Jacobs, and director and playwright, Lillian Groag. As Keturah says, “On the surface, these women couldn’t be more different, both in the type of work they make, and in…
Kelley Rourke and David Walker [not-audio_url] [/not-audio_url]

Duration: 56:54
Keturah begins this episode chatting with General Director of Palm Beach Opera and former countertenor, David Walker (https://pbopera.org/about-us-2/general-director/). They discuss the aria Voi Che Udite (Here’s a link…
K.F. Jacques and the Brave Power of Crossing Genres [not-audio_url] [/not-audio_url]

Duration: 1:04:28
Keturah begins this episode chatting with baritone, Zachary Nelson (http://www.zacharynelsonbaritone.com/), who speaks with her about Mozart and DaPonte’s Le nozze di Figaro, the Beaumarchais plays, and their tie to the…
Ricky Ian Gordon and Collaborating With Yourself and Others [not-audio_url] [/not-audio_url]

Duration: 1:04:22
Keturah speaks with Ricky Ian Gordon about how he collaborates with multiple composers, as well as compositions for which he has written the libretto.The episode begins with clips from last season: Michael Korie discussi…
Richard Thomas, Eva Maria Westbroek, and the Allure of Anna Nicole [not-audio_url] [/not-audio_url]

Duration: 1:01:34
This episode begins with a short interview with Dutch soprano, Eva Maria Westbroek (https://www.evamariawestbroek.com/). She and Keturah talk about Eva’s creation of the title role in Mark Anthony Turnage (https://www.bo…
Matt Boresi and Creating in Covid Times [not-audio_url] [/not-audio_url]

Duration: 56:38
We start out this episode with a short quip from Mezzo-soprano, Emily Fons, talking about not waiting for the ideal moment to create. (https://www.emilyfons.com/).Next, is a brief interview with San Francisco based condu…
Talking About Words [not-audio_url] [/not-audio_url]

Duration: 28:22
Keturah starts her Second Season talking to a myriad of singers, conductors, and directors about how opera text affects them.Sound bites from:Joseph Mechavich https://www.ada-artists.com/conductor-joseph-mechavichStephen…