Tony Asaro and The Path To Opera

Tony Asaro and The Path To Opera

Author: Keturah Stickann October 4, 2021 Duration: 59:06

Keturah speaks with Bay Area librettist and composer, Tony Asaro, about his work in musical theater, how he found opera, and the two operas he’s currently working on: Zheng, and The Halloween Tree.

Tony Asaro: https://www.altnyc.org/tony-asaro
Theo Popov: http://www.theopopov.com/
Shinji Eshima: https://sfopera.com/about-us/people/bios/orchestra/shinji-eshima/
Zheng: https://www.zhengopera.com/
The Halloween Tree: https://www.altnyc.org/operas/the-halloween-tree


In Words First: Talking Text in Opera, stage director Keturah Stickann pulls back the curtain on the most fundamental, yet often overlooked, element of the art form: the words themselves. This isn't a historical survey or a review show. Instead, each episode is a focused, revelatory conversation that digs into the craft of putting language to music. Keturah sits down with the people who shape opera's narratives-librettists wrestling with poetic meter and dramatic structure, lyricists adapting contemporary stories, producers championing new works, and singers who must embody this text night after night. They discuss the unique challenges and quiet triumphs of storytelling in a musical medium, exploring how a single word choice can alter a character's entire journey or how a phrase must bend to fit a composer's line. The podcast lives in the specifics, offering a rare glimpse into the collaborative alchemy between page and stage. You'll hear about the meticulous work that happens long before the first orchestral rehearsal, gaining a deeper appreciation for opera as a living, breathing form of drama. It's for anyone curious about the mechanics of artistic creation, whether you're a seasoned opera-goer or simply fascinated by how stories are built from the ground up. Join Keturah and her guests for these intimate, insightful dialogues that truly put the words first.
Author: Language: English Episodes: 63

Words First: Talking Text in Opera
Podcast Episodes
Alaina Viau and Reaching for an Equitable Operatic Landscape [not-audio_url] [/not-audio_url]

Duration: 34:20
Keturah speaks with director, creator, and Executive Artistic Director of Loose Tea Music Theatre, Alaina Viau, about her creative work and Loose Tea’s BIPOC Composer Librettist Development Program.Alaina Viau: https://w…
Kate Holland, Susan Werbe, and Sifting Through The Great War [not-audio_url] [/not-audio_url]

Duration: 35:06
Kate Holland and Susan Werbe were co-librettists on Letters That You Will Not Get, composed by Kirsten Volness, and produced by American Opera Projects. In this episode, I speak to them both about their collaboration, an…
Eric Einhorn and Letting The Space Dictate the Show [not-audio_url] [/not-audio_url]

Duration: 40:26
Keturah speaks with General and Artistic director of OnSite Opera, Eric Einhorn, about his relationship to text with site specific work. They also discuss Rhoda and The Fossil Hunt, which he wrote with John Musto for pre…
Matthew Jocelyn and How to be Undaunted by Hamlet [not-audio_url] [/not-audio_url]

Duration: 44:06
Keturah speaks with Matthew Jocelyn, the celebrated director, writer, and theater administrator, who wrote the libretto for Brett Dean’s Hamlet, originating in Glyndebourne in 2017, and currently playing at the Metropoli…
Deborah Brevoort and her Journey from Politics to Theater [not-audio_url] [/not-audio_url]

Duration: 38:20
Keturah interviews playwright and librettist, Deborah Brevoort, about her early political career in Alaska, her switch to theater, and her more recent work writing opera libretti. They go in depth on three operas: STEAL…
Amy Stebbins and New Work Both Here and There [not-audio_url] [/not-audio_url]

Duration: 59:10
Keturah interviews director, dramatist, and librettist, Amy Stebbins, about the differences between libretti in the United States and libretti in Europe (particularly new work being written in Germany and Austria). They…
Catherine Filloux and Writing Social Justice [not-audio_url] [/not-audio_url]

Duration: 49:12
Keturah interviews playwright and librettist, Catherine Filloux about her many works tackling social justice issues, as well as her work with Olga Neuwirth on the new opera, Orlando.Catherine Filloux: https://www.catheri…
Jennifer Cresswell and Kathleen Kelly on Writing Real Women [not-audio_url] [/not-audio_url]

Duration: 1:00:00
Keturah speaks with singer and librettist, Jennifer Cresswell, and conductor and librettist, Kathleen Kelly about the creation of their new work with Kamala Sankaram, Interstate. They co-wrote them libretto and performed…
Max Hoehn and Opera21 [not-audio_url] [/not-audio_url]

Duration: 36:06
Keturah speaks with British Swiss director, translator, and librettist, Max Hoehn, about the development of his new opera laboratory: Opera21, and the state of new opera in Europe.Max Hoehn: https://www.maxhoehn.com/Oper…
Marella Martin Koch and the Genesis of Dolores [not-audio_url] [/not-audio_url]

Duration: 52:20
Keturah speaks with librettist, playwright, and director, Marella Martin Koch, who recently won the inaugural West Edge Opera Aperture commission, alongside her writing partner, composer Nicolas Lell Benavides. Their wor…