20.31: Framing the Lens

20.31: Framing the Lens

Author: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler August 3, 2025 Duration: 26:04
This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already! Now, we’re talking about choosing what your lens is focused on. How do you choose what’s in your story—and what’s not? In this episode, we talk about how to make this choice, and how this informs all the other choices you’ll make. After we talk about how to decide where to draw the box around your story, we dive into the exterior framing of your story (AKA stories may exist in their own world, but they still have to be read in ours). Homework: Take a story you’re working on and think about what happens if you shift the frame just a little. The easiest way to do this is to ask yourself, is there a scene I could take out that would change the way that the lens or the story is focused? What new scene would you add in to re-balance your story? Then, go and write that scene. And have fun with it! P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

It’s a common piece of advice: if you want to be a writer, you should write. But what happens when you’re staring at the blank page, or when the business side of publishing feels like a maze? That’s where Writing Excuses comes in. Each week, hosts Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler gather not just to talk about writing, but to dissect it. They move quickly, respecting your time while packing episodes with actionable discussions on technique, from character voice to plot structure. But this podcast understands that a writing life isn’t just about craft-it’s also a career. So conversations naturally pivot to the practicalities of the business, navigating careers, and sustaining creativity in a demanding field. You’ll hear five distinct professional perspectives blending into a single, focused conversation designed to get you past excuses and back to your work. It’s like a regular, invigorating workshop session delivered directly to you, meant to equip you with tools for both your manuscript and your professional path.
Author: Language: en-us Episodes: 500

Writing Excuses
Podcast Episodes
21.13: Does The Middle Have To Be Soggy? [not-audio_url] [/not-audio_url]

Duration: 24:50
Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how…
21.12: Breaking Down Barriers- Environment [not-audio_url] [/not-audio_url]

Duration: 24:43
When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clu…
21.11: The Cold Open- Action [not-audio_url] [/not-audio_url]

Duration: 23:20
Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to mak…
21.10: The Cold Open- Voice [not-audio_url] [/not-audio_url]

Duration: 24:22
A cold open can hook a reader with nothing more than voice. In this episode, our hosts explore what makes a voice-driven opening work — cadence, rhythm, authority, and a clear reason to care. We break down how aesthetic…
21.09: Grounding The Reader [not-audio_url] [/not-audio_url]

Duration: 20:52
Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and…
21.08: Setting Expectations [not-audio_url] [/not-audio_url]

Duration: 22:14
In this episode, we explore what it really means to set reader expectations at the beginning of a story. We talk about how openings communicate the shape of what’s to come — from genre and tone to the kind of emotional r…
21.07: Deep Dive- “With Her Serpent Locks” [not-audio_url] [/not-audio_url]

Duration: 23:48
To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leve…
21.06: Begin and the Beginning [not-audio_url] [/not-audio_url]

Duration: 22:17
In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help…
21.05: The Same But Different [not-audio_url] [/not-audio_url]

Duration: 25:20
Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, t…
21.04: Deconstructing the Hero's Journey [not-audio_url] [/not-audio_url]

Duration: 25:46
In this episode, our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in stor…