21.01: Welcome to the New Year!

21.01: Welcome to the New Year!

Author: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler January 4, 2026 Duration: 34:42
Season 21 kicks off with a new theme, a fresh tagline, and a renewed focus on what Writing Excuses has always been about: tools, not rules. The hosts unpack why prescriptive writing advice so often falls short, and how understanding why tools gives you the freedom to adapt—or discard—them. And so for Season 21, we’re going to focus on deconstructing structure in order to better understand the tools that make up various story structures, and what we can learn from each. We’ll be analyzing everything from exposition to Try/Fail cycles to Save the Cat, as we dig into how structure can function more like jazz and less like a rigid formula. We hope this year of episodes (every Sunday morning, folks!) helps you choose what actually serves you as a writer. Homework Write down one thing you are letting go of from last year, starting with the sentence “I am letting go of…”. Then write one intention for the new year, starting with “This year I am embracing…”. ANNOUNCEMENTS: Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Howard Tayler, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

It’s a common piece of advice: if you want to be a writer, you should write. But what happens when you’re staring at the blank page, or when the business side of publishing feels like a maze? That’s where Writing Excuses comes in. Each week, hosts Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler gather not just to talk about writing, but to dissect it. They move quickly, respecting your time while packing episodes with actionable discussions on technique, from character voice to plot structure. But this podcast understands that a writing life isn’t just about craft-it’s also a career. So conversations naturally pivot to the practicalities of the business, navigating careers, and sustaining creativity in a demanding field. You’ll hear five distinct professional perspectives blending into a single, focused conversation designed to get you past excuses and back to your work. It’s like a regular, invigorating workshop session delivered directly to you, meant to equip you with tools for both your manuscript and your professional path.
Author: Language: en-us Episodes: 100

Writing Excuses
Podcast Episodes
20.17: An Interview with Christopher Schwarz [not-audio_url] [/not-audio_url]

Duration: 35:47
This season, we’ve been exploring different approaches to writing through the lens of other crafts and their respective toolkits. We had the pleasure of speaking with furniture-maker, writer, and publisher Christopher Sc…
20.16: Second Person [not-audio_url] [/not-audio_url]

Duration: 26:43
People often think of first person POV as the most intimate voice. But in a way, we think second person might be more intimate. With second person, you’re forcing the reader’s subjectivity into the fiction itself. You ar…
20.15: Third Person Omniscient [not-audio_url] [/not-audio_url]

Duration: 25:28
With today’s episode, we are continuing our discussion on proximity by focusing on another POV: third person omniscient. In omniscient POV, the narrator can see all and move into any character's head. It's sometimes seen…
20.14: Third Person Limited [not-audio_url] [/not-audio_url]

Duration: 26:35
Third person limited is one of the most popular storytelling lenses. Yet it is often understood differently by various authors and readers. So today we’re diving into the complexities, intricacies, and beautiful constrai…
20.13: First Person [not-audio_url] [/not-audio_url]

Duration: 26:22
We’re now going to have a few episodes focusing on the lens of proximity—specifically, how close you are to a character. Today, we’re talking about first person. First person seems like it would be one of the most natura…
20.12: Fashion as a Writing Metaphor [not-audio_url] [/not-audio_url]

Duration: 29:02
Today, we’re returning to different personal metaphors for how we all think about writing and storytelling. In this episode, we’re talking about how DongWon uses fashion as a helpful metaphor to think about storytelling.…
20.10: Interview with Chuck Tingle: Breaking the Rules [not-audio_url] [/not-audio_url]

Duration: 33:52
Today we have the pleasure of talking with author (and longtime listener!) Chuck Tingle. We invited him on the podcast to talk about breaking the rules—both in terms of how to publish and what to publish. Chuck told us a…
20.09: The Reaction of Who?! [not-audio_url] [/not-audio_url]

Duration: 19:30
What do emotional beats and action scenes have in common? Well, they both need to land with your audience in order for your story not to fall flat. On today’s episode, we’re talking about the importance of reaction. Ever…
20.08: Character Stakes and Fears [not-audio_url] [/not-audio_url]

Duration: 22:36
This week, we’re continuing our conversation about the lens of who. On last week’s episode we talked about a character’s motivation and goals. Now, we’re starting to think about tension in the form of a character’s stake…