21.11: The Cold Open- Action

21.11: The Cold Open- Action

Author: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler March 15, 2026 Duration: 23:20
Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool factor. From The Matrix to hockey rinks to fantasy prologues gone wrong, we look at how action can function as a delivery system for tension, authority, and emotional investment. The goal isn’t just spectacle — it’s giving readers a reason to turn the page. Homework: Choose an action cold open from a movie. Write down everything it’s doing beyond the visible action — how it builds the world, establishes stakes, defines character, and makes you feel. Then rewrite that scene in prose, making those elements explicit on the page. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

It’s a common piece of advice: if you want to be a writer, you should write. But what happens when you’re staring at the blank page, or when the business side of publishing feels like a maze? That’s where Writing Excuses comes in. Each week, hosts Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler gather not just to talk about writing, but to dissect it. They move quickly, respecting your time while packing episodes with actionable discussions on technique, from character voice to plot structure. But this podcast understands that a writing life isn’t just about craft-it’s also a career. So conversations naturally pivot to the practicalities of the business, navigating careers, and sustaining creativity in a demanding field. You’ll hear five distinct professional perspectives blending into a single, focused conversation designed to get you past excuses and back to your work. It’s like a regular, invigorating workshop session delivered directly to you, meant to equip you with tools for both your manuscript and your professional path.
Author: Language: en-us Episodes: 500

Writing Excuses
Podcast Episodes
18.32: The Kirsten Vangsness Expansion Pack [not-audio_url] [/not-audio_url]

Duration: 31:10
We have a special guest episode! Kirsten Vangsness, Criminal Minds star, joins us to talk about her experience as a writer, actor, and playwright. She taught us how she deals with imposter syndrome, and how she uses perf…
18.31: Getting Personal: Mining Your Life for Themes [not-audio_url] [/not-audio_url]

Duration: 24:10
In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question—Why should you be the one to t…
18.30: Planting Supernatural Seeds [not-audio_url] [/not-audio_url]

Duration: 23:13
How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genr…
18.29: Collaboration And Partnership [not-audio_url] [/not-audio_url]

Duration: 30:47
What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We h…
18.28: Writing Conversational Dialogue [not-audio_url] [/not-audio_url]

Duration: 25:28
How do you write dialogue that sounds natural? We have some things to keep in mind when you write conversations between characters. When people converse, they do so with more than just words. Body language, tone of voice…
18.27: Framing Stories [not-audio_url] [/not-audio_url]

Duration: 28:16
Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework…
18.25: To Narrator or Not to Narrator [not-audio_url] [/not-audio_url]

Duration: 26:19
In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or…
18.24: “Dark One: Forgotten” Deep Dive [not-audio_url] [/not-audio_url]

Duration: 30:24
The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Pl…
18.23: Our Advice on Giving Advice [not-audio_url] [/not-audio_url]

Duration: 32:05
“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Ou…