44: Thomas J Gamble

44: Thomas J Gamble

Author: Sean J Patrick Carney February 18, 2018 Duration: 1:17:43
You may know Midwest micro-celebrity Thomas J Gamble as the author of the INFINITE HESH comics for Humor and the Abject. Or, you may know him more casually online as Twee Jay, Erie’s absolute boy. Either way, he was in New York this past weekend for his show at Interstate Projects and I dragged him into the kitchen for a conversation. I love Thomas so much that it makes me want to get him really angry. Does that make sense? Well, despite my best efforts to rile him up, he maintained his thoughtfulness and cool the entire time. We talked about uncanny perceptions of time, his new paintings, Rust Belt ennui and being an artist outside of major art cities, Tom Brady vs Tom Hardy, good books, sinking ships, whether it’s “Leviathan” or “a leviathan,” the trappings of making political art, Daniel Day Lewis, Superman’s death, that rhythm between horrific political events and pop culture aesthetics, how punks and hippies are the same people with the same logos, his early exposure to radical leftist politics, Little Dicky Spencer and the alt-right’s impotent rage, and why Italians love saying “Cincinnati.” We’re sponsored this week by Blue Takeron and when Thomas J died in “My Girl” because he went back to find Vada’s mood ring in the forest and was subsequently murdered by a swarm of wild ass bees.

Sean J Patrick Carney hosts Humor and the Abject Podcast, a series that finds the funny in the often challenging and unsettling world of contemporary art. This isn't a dry lecture or a fawning interview show; instead, Carney digs into the messy, the awkward, and the deliberately provocative corners of the art scene to see what makes us laugh, even when we might feel we shouldn't. Each episode feels like a conversation that could only happen here, one that acknowledges how discomfort and comedy are frequently intertwined in the work being made today. You'll hear discussions that grapple with ideas that are both intellectually rigorous and genuinely amusing, exploring why artists so often use humor to tackle difficult subjects. The podcast provides a unique, accessible entry point into contemporary practices, suggesting that laughter can be a powerful tool for understanding. Tuning in, you get the sense of being let in on a series of inside jokes that, once explained, reveal something much deeper about culture and creativity. It’s for anyone curious about art but tired of overly serious commentary, offering a fresh and engaging perspective that only this particular blend of host and subject matter can deliver.
Author: Language: English Episodes: 100

Humor and the Abject Podcast
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