Music History Monday: Armando Anthony “Chick” Corea

Music History Monday: Armando Anthony “Chick” Corea

Author: Robert Greenberg June 12, 2023 Duration: 17:26
Chick Corea (1941-2021) in 2019
Chick Corea (1941-2021) in 2019

We mark the birth on June 12, 1941 – 82 years ago today – of the pianist and composer Armando Anthony “Chick” Corea, in Chelsea, Massachusetts.  He died of cancer after a brief illness on February 9, 2021, at his home just outside of Tampa Bay, Florida, at the age of 79.

Chick Corea’s spectacularly varied, 50-plus year career as a professional musician offers an object lesson in both the necessity and futility of labels.  

“Spectacularly varied” is the operative phrase in the sentence above.  In the mid-1960s Corea became deeply involved in Latin American music, having broken in with the Cuban bandleader and percussionist Mongo Santamaria (1917-2003) and the Puerto Rican-American bandleader and percussionist Willie Bobo (whose real name was Willie Correa, no relation, 1934-1983).  

In the late 1960s and early 1970s, Corea played with the Miles Davis (1926-1991) band (he played piano on seven of Miles Davis’ albums, including Davis’ classic Bitches Brew album of 1969).  As such, the Chick-Meister was a full-participant in Davis’ electrified experiment in fusion, in synthesizing jazz and rock ‘n’ roll. In 1970 and 1971 Corea led his own, avant-garde, free jazz band called Circle. In 1972, Corea formed his jazz/Latin fusion progressive rock band Return to Forever, which performed both electronic and acoustic instrument music that fused jazz, rock ‘n’ roll, and Latin music.  

Along the way Corea played and recorded bossa nova with João Gilberto and Stan Getz; he fused jazz and flamenco (shall we call it “jazzmenco”?) with the violinist Jean-Luc Ponty and the great flamenco guitarist Paco de Lucia.…

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Every week, Music History Monday arrives with the kind of curiosity that turns dates on a calendar into doorways. Hosted by composer and historian Robert Greenberg, this podcast digs into the stories that happened *around* the music, finding the human moments-sometimes profound, sometimes scandalous, always fascinating-tied to a specific Monday. Greenberg approaches his subjects not as distant icons but as the complicated, brilliant, and often messy people they were, which makes each episode feel like a conversation rather than a lecture. You’ll hear about pivotal premieres, bitter rivalries, unexpected inspirations, and the sheer luck or misfortune that shaped the pieces we know today. The tone is erudite but never dry, packed with context and delivered with a wit that respects the art without putting it on a sterile pedestal. It’s for anyone who loves a good story and suspects that the history behind a symphony or a sonata is just as compelling as the notes themselves. Tune in each Monday with Robert Greenberg to connect the dots between a day in history and the soundtrack it inspired.
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