Before we get to the actual date-related topic for today, I beg your indulgence, as I need to tell you a story. It’s a story that most of you know, at least in part. Again, indulge me.
A partial reunion of the stars of The Godfather films I and II in 2017, on the 45th anniversary of the release of The Godfather I; from left-to-right: Diane Keaton, Robert de Niro, Robert Duvall, director Francis Ford Coppola, James Caan, Al Pacino, and Talia Shire; missing are Marlon Brando – Don Corleone himself – who died in 2004; and John Cazale, who portrayed Fredo Corleone, who passed away in 1978
The Godfather III – the third film in the storied Godfather franchise, released in 1990 – was one of the most anticipated films of all time. And no wonder: the first of the Godfather movies – The Godfather, or “G1”, released in 1972 – was nominated for eleven Academy Awards and received three, including Best Picture and Best Actor (for Marlon Brando). G2, released two years later in 1974 was also nominated for eleven Academy Awards, winning six of them, including Best Picture and Best Supporting Actor (for Robert DeNiro). So G3 – The Godfather III – had a lot riding on it.
Much of the casting was easy. Al Pacino returned in the role of Michael Corleone; Diane Keaton in the role of Kaye Corleone; and Talia Shire in the role of Connie Corleone. But there were new roles to fill, none more important than Mary Corleone, the now grown-up daughter of the “godfather” himself, Michael Corleone. G3’s writer and director, Francis Ford Coppola (born 1939), wanted Julia Roberts for the role of Mary Corleone. Unfortunately, Ms. Roberts was not available, so Coppola tested a number of other actresses for the part, including Madonna (whose own Italian heritage did not, in the end, help her get the part). In the end, the part went to Winona Ryder. (Born Winona Horowitz in Winona, Minnesota in 1971, Ms. Ryder grew up in Northern California and graduated from Petaluma High School in 1989 with a 4.0 average). The 18-year-old Ms. Ryder was up-and-coming at the time she was chosen for the role of Mary Corleone, having scored major successes in the movies Beetlejuice (1988) and Heathers (1989).
Winona Ryder (born Horowitz, 1971) in 1990 with Johnny Depp (born 1963), her boyfriend at the time
Ryder arrived at the G3 set in Italy and rehearsed for a day. The next morning, her boyfriend, a young actor named Johnny Depp, called in to say that Ms. Ryder was “indisposed” and unavailable. Her issues were, in fact, a bit more serious than that. Suffering from what was later diagnosed as “nervous exhaustion,” Ryder left the movie, never to return, after just that one day of rehearsals.
Okay: I trust we all appreciate the expenses involved in having the cast and crew of a big-budget movie on set in a foreign country, twiddling their thumbs and sitting on their collective rear ends, with no female lead anywhere in sight. Coppola considered replacing Ryder with either Madonna, Annabella Sciorra, or Laura San Giacomo, but wasn’t happy with any of those choices. Meanwhile, principal photography, which was slated to begin on November 15, 1989, there at Rome’s Cinecittà Studios (meaning “Cinema City Studios”) was pushed back three weeks, during which Coppola’s ongoing expenses forced him to declare Chapter 11 bankruptcy.
Francis Ford Coppola, who had not wanted to make a third Godfather movie in the first place, was pushed to the brink; he needed a female lead, and he needed her yesterday. So in his desperation, he made what turned out to be the worst decision of his career: he gave the role to his youngest child and only daughter, Sophia (born 1971). …
Every week, Music History Monday arrives with the kind of curiosity that turns dates on a calendar into doorways. Hosted by composer and historian Robert Greenberg, this podcast digs into the stories that happened *around* the music, finding the human moments-sometimes profound, sometimes scandalous, always fascinating-tied to a specific Monday. Greenberg approaches his subjects not as distant icons but as the complicated, brilliant, and often messy people they were, which makes each episode feel like a conversation rather than a lecture. You’ll hear about pivotal premieres, bitter rivalries, unexpected inspirations, and the sheer luck or misfortune that shaped the pieces we know today. The tone is erudite but never dry, packed with context and delivered with a wit that respects the art without putting it on a sterile pedestal. It’s for anyone who loves a good story and suspects that the history behind a symphony or a sonata is just as compelling as the notes themselves. Tune in each Monday with Robert Greenberg to connect the dots between a day in history and the soundtrack it inspired.
Author: Robert Greenberg
Language: en-us
Episodes: 100
Giovanni Gabrieli (circa 1555-1612) We mark the death on August 12, 1612 – 412 years ago today – of the composer Giovanni Gabrieli. Born in Venice circa 1555, he grew up and spent his professional life in that glorious c…
