Lola Greeno is an award winning Tasmanian Aboriginal shell worker and artist. Lola uses maireener shells, sometimes called rainbow kelp shells to make shell necklaces. It's the oldest continuing cultural practice in Tasmania. Learn about the role of insects in making a traditional shell necklace, how Lola creates for kids as well as adults, and what she wants every Tasmanian Aboriginal woman to know.

The Australian Design Centre recognised Lola Greeno as a Living Treasure: Master of Australian Craft in 2014.

She lives and works on Palawa land in the north of Tasmania. Lola Greeno is an elder of the Truwana people from Cape Barren Island.

Guests

• Lola Greeno https://en.wikipedia.org/wiki/Lola_Greeno and https://handmark.com.au/artist/lola-greeno/
• Stephen Goddard, Graphic Designer, Curator and Lecturer who curated Lola's Living Treasures exhibition https://goddard.net.au/
• Richard Mulvaney, former Director of the Queen Victoria Museum & Art Gallery, where Lola's Living Treasures exhibition was exhibited. QVMAG later acquired the exhibition. https://www.qvmag.tas.gov.au/

Show highlights and takeaways

Ya Pulingina [3:39 mins]

Lola Greeno uses palawa kani language to greet Lisa Cahill. Ya Pulingina means hello, or welcome.

Shell necklace making is unique to Tasmanian Aboriginal women. [4:50 mins]

Shell necklace making is the oldest continuing cultural practice in Tasmania.The traditional necklace was threading the King Maireener shell, the biggest of the species of the Maireener in Tasmania. Lola refers to old images of the tribal men wearing shell necklaces, as well as photos of Fanny Cochrane Smith, the last surviving fluent speaker of any Tasmanian Aboriginal language.

Back six generations [7:36 mins]

Lola remembers her mother's grandmother making shell necklaces, and believes it went back about six generations. Lola learned from her own mother, how to go and pick the Maireeners from the seaweed the traditional way, and to 'rot out' and put them in jars outside, under a tree.

Protecting Maireener shells [9:36 mins]

Lola stresses the importance of not over-collecting the Maireener shells. She always leaves some there for it to re-breed, as they breed over a twelve month cycle that finishes at the end of April.

Mother-daughter patterns [11:57 mins]

Lola's first exhibition was with her mother, in a commerical gallery in Brisbane. She said it was the start of her becoming a maker. "Mum was very excited and she got me excited about us working together." The very first shells she made with her mother were 'mother-daughter patterns'.

Rice, toothy, penguin and gull shells  [14:27 mins]

When Tasmanian Aboriginal women started to use needles to make necklaces, they also experimented using diferent shells - such as the