Barber Adagio For Strings

Barber Adagio For Strings

Author: Joshua Weilerstein March 31, 2022 Duration: 36:21

Barber's Adagio seems to access a deep well of sadness, heartache, passion, and nostalgia in the listener that is very difficult to explain.  As dozens of commentators have noted, there is nothing in particular in the piece which is particularly remarkable.  There are no great harmonic innovations, no formal surprises, nothing NEW, at all. In fact, the music was completely anachronistic for its time.  Despite all of that, or perhaps because of it, Barber's Adagio has become perhaps the most well known piece of American classical music in the world.  It became even more famous after its use in the Vietnam War Movie Platoon.  It was played at the funeral of Franklin Roosevelt and Robert Kennedy, and was performed to an empty hall after the assassination of John F Kennedy.  A deeply emotional performance of the piece was done at the Last Night of the Proms, a traditionally celebratory affair, on September 12th, 2001.  Simply put, this piece has come to symbolize SADNESS in music.  But would it surprise you to hear that the Barber Adagio for Strings wasn't originally for string orchestra at all?  That it was the second movement of a string quartet, sandwiched by movements that were much more modernist and "forward-thinking" than its slow movement?  Would it surprise you that sadness might never have been the intention of Barber in the piece?  Well, let's take a closer look at Barber's Adagio this week - how the piece works, what originally surrounded it, it's different arrangements, and its tempo. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Janacek Sinfonietta [not-audio_url] [/not-audio_url]

Duration: 50:23
Along with Antonin Dvorak and Bedrich Smetana, Leos Janacek is known as one of the three great Czech composers. He was born in Moravia, part of the Austrian Empire at the time, and became passionately interested in study…
The Degenerates: Music Suppressed By The Nazis [not-audio_url] [/not-audio_url]

Duration: 57:39
The center of Western Classical Music, ever since the time of Bach, has been modern-day Germany and Austria. You can trace a line from Bach, to Haydn to Mozart to Beethoven to Schubert to Schumann, Brahms, and Wagner, an…
David Krauss, Principal Trumpet of the Metropolitan Opera Orchestra [not-audio_url] [/not-audio_url]

Duration: 45:42
David Krauss is the Principal Trumpet of the Met Opera orchestra, and in this conversation, we talked about his beginnings on the trumpet, the differences between playing in a symphonic orchestra vs. an opera orchestra,…
Beethoven Op. 18 String Quartets, Part 2 [not-audio_url] [/not-audio_url]

Duration: 1:06:32
Note: This episode will be a lot more enjoyable if you listen to Part 1 first! As we turn towards the final three quartets of the set, we'll see a lot of the same characteristics of the first 3; a perfect classical era p…
Beethoven Op. 18 String Quartets, Part 1 [not-audio_url] [/not-audio_url]

Duration: 1:06:37
In 1798, Beethoven, all of 28 years old, was about to begin a project that would take him to the last days of his life, a project that would result in some of the most far-reaching, most cosmic, most life-affirming, most…
Shostakovich Violin Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 1:00:09
In almost every one of the past shows I've done about Shostakovich, the name Joseph Stalin is mentioned almost as much as the name Dmitri Shostakovich, and of course, there's a good reason for that. Shostakovich's life a…
10 Pieces You've (Probably) Never Heard, But Need to Listen To! [not-audio_url] [/not-audio_url]

Duration: 1:02:37
Everyone knows Gershwin's Rhapsody in Blue. Even if United Airlines hadn't made the piece ubiquitous, it seems like the one piece of classical music almost everyone knows besides the beginning of Beethoven's 5th symphony…
Ives, "Three Places in New England" [not-audio_url] [/not-audio_url]

Duration: 1:00:25
In 1929, the conductor Nicolas Slonimsky contacted the American composer Charles Ives about performing one of his works. This was a bit of a surprise for Ives, since he had a checkered reputation among musicians and audi…
Louise Farrenc Symphony No. 3 [not-audio_url] [/not-audio_url]

Duration: 57:31
In the mid 19th century, the way to make yourself famous in France as a composer was to write operas. From Cherubini, to Meyerbeer, to Bizet, to Berlioz, to Gounod, to Massenet, to Offenbach, to Saint Saens, to foreign c…
Saint-Saens, The Carnival Of The Animals [not-audio_url] [/not-audio_url]

Duration: 56:57
In 1922 a review appeared in the French newspaper Le Figaro: "We cannot describe the cries of admiring joy let loose by an enthusiastic public. In the immense oeuvre of Camille Saint-Saëns, The Carnival of the Animals is…