Barber Adagio For Strings

Barber Adagio For Strings

Author: Joshua Weilerstein March 31, 2022 Duration: 36:21

Barber's Adagio seems to access a deep well of sadness, heartache, passion, and nostalgia in the listener that is very difficult to explain.  As dozens of commentators have noted, there is nothing in particular in the piece which is particularly remarkable.  There are no great harmonic innovations, no formal surprises, nothing NEW, at all. In fact, the music was completely anachronistic for its time.  Despite all of that, or perhaps because of it, Barber's Adagio has become perhaps the most well known piece of American classical music in the world.  It became even more famous after its use in the Vietnam War Movie Platoon.  It was played at the funeral of Franklin Roosevelt and Robert Kennedy, and was performed to an empty hall after the assassination of John F Kennedy.  A deeply emotional performance of the piece was done at the Last Night of the Proms, a traditionally celebratory affair, on September 12th, 2001.  Simply put, this piece has come to symbolize SADNESS in music.  But would it surprise you to hear that the Barber Adagio for Strings wasn't originally for string orchestra at all?  That it was the second movement of a string quartet, sandwiched by movements that were much more modernist and "forward-thinking" than its slow movement?  Would it surprise you that sadness might never have been the intention of Barber in the piece?  Well, let's take a closer look at Barber's Adagio this week - how the piece works, what originally surrounded it, it's different arrangements, and its tempo. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
The Ravel Sound with Norbert Müllemann and Stefan Knüpfer [not-audio_url] [/not-audio_url]

Duration: 45:32
I so enjoyed making this latest episode in my collaboration with G Henle Publishers. I talked with two absolute experts in their fields, Norbert Mülleman and Stefan Knüpfer, all about how to edit Ravel's music, and how t…
Dvorak Violin Concerto [not-audio_url] [/not-audio_url]

Duration: 49:16
Admit it: if you're a fan of classical music—or even just a regular concertgoer—you might have glanced at the title of this episode and done a double take. The Dvořák Violin Concerto? Not the Cello Concerto? One of the t…
Brahms Double Concerto [not-audio_url] [/not-audio_url]

Duration: 58:17
It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already establ…
Copland Clarinet Concerto [not-audio_url] [/not-audio_url]

Duration: 48:13
The commission for a new Clarinet Concerto from the great American composer Aaron Copland came from a rather unlikely source: Benny Goodman, the man known as the King of Swing. Goodman was one of the most famous and impo…
Steve Reich: Different Trains [not-audio_url] [/not-audio_url]

Duration: 52:30
Steve Reich, the great American contemporary composer, provided this program note about his work Different Trains: "The idea for the piece came from my childhood. When I was one year old my parents separated. My singer,…
Best of Frenemies: Debussy and Ravel [not-audio_url] [/not-audio_url]

Duration: 52:22
Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. Bu…
Shostakovich Cello Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 50:05
It's hard to overstate the depth of the connection between Dmitri Shostakovich and the legendary cellist Mstistlav Rostropovich. Shostakovich and Rostropovich were extremely close friends, and Shostakovich wrote and dedi…
Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag! [not-audio_url] [/not-audio_url]

Duration: 59:12
Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions a…
Amy Beach, "Gaelic" Symphony [not-audio_url] [/not-audio_url]

Duration: 1:00:56
Amy Beach is a name that might not be familiar to you. She was born in 1867 and died in 1944, and her life was one of the most fascinating and varied in musical history. She was a child prodigy, became a successful piani…