Barber Adagio For Strings

Barber Adagio For Strings

Author: Joshua Weilerstein March 31, 2022 Duration: 36:21

Barber's Adagio seems to access a deep well of sadness, heartache, passion, and nostalgia in the listener that is very difficult to explain.  As dozens of commentators have noted, there is nothing in particular in the piece which is particularly remarkable.  There are no great harmonic innovations, no formal surprises, nothing NEW, at all. In fact, the music was completely anachronistic for its time.  Despite all of that, or perhaps because of it, Barber's Adagio has become perhaps the most well known piece of American classical music in the world.  It became even more famous after its use in the Vietnam War Movie Platoon.  It was played at the funeral of Franklin Roosevelt and Robert Kennedy, and was performed to an empty hall after the assassination of John F Kennedy.  A deeply emotional performance of the piece was done at the Last Night of the Proms, a traditionally celebratory affair, on September 12th, 2001.  Simply put, this piece has come to symbolize SADNESS in music.  But would it surprise you to hear that the Barber Adagio for Strings wasn't originally for string orchestra at all?  That it was the second movement of a string quartet, sandwiched by movements that were much more modernist and "forward-thinking" than its slow movement?  Would it surprise you that sadness might never have been the intention of Barber in the piece?  Well, let's take a closer look at Barber's Adagio this week - how the piece works, what originally surrounded it, it's different arrangements, and its tempo. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Schubert Sonata in B Flat, D. 960 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 40:07
For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a hu…
Mozart Piano Concerto in D Minor, K. 466 [not-audio_url] [/not-audio_url]

Duration: 48:12
H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was "an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a…
What is a Mode? [not-audio_url] [/not-audio_url]

Duration: 44:37
My first interaction with the musical term modes was Leonard Bernstein's brilliant Young People's Concert, also called What is a Mode? In that show, Bernstein showed how modes are an essential part of what makes modern m…
Brahms Piano Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 1:03:25
In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, " "I have no judgment about this piece anymore, nor any control over it." Brahms first began sketching his first piano concerto i…
Fast, Furious, Fortissimo [not-audio_url] [/not-audio_url]

Duration: 46:31
Very often, when I tell people that I'm a classical musician, I am told, "wow, I love classical music! It's so relaxing!" I think almost all classical musicians have heard that before, and you know what? Sometimes, it's…
Copland Symphony No. 3 [not-audio_url] [/not-audio_url]

Duration: 1:01:02
There has always been a debate about "The Great American Symphony." By the time most prominent American composers got around to writing large scale symphonic works, the symphony had very nearly gone out of fashion. To ma…
An Exploration of Klezmer Music w/ Abigale Reisman [not-audio_url] [/not-audio_url]

Duration: 56:48
Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violin…
Schumann Symphony No. 3, "Rhenish" [not-audio_url] [/not-audio_url]

Duration: 54:36
In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist…
Beethoven String Quartet, Op. 59, No. 1 [not-audio_url] [/not-audio_url]

Duration: 58:38
In 1806, the 36 year old Beethoven received a commission from the Russian ambassador in Vienna, Count Andreas Razumovsky. Razumovsky wanted a set of string quartets for what would soon be his house string quartet which i…
Ethel Smyth Serenade in D [not-audio_url] [/not-audio_url]

Duration: 48:09
I've mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but sh…