Why Does Menswear All Look the Same?

Why Does Menswear All Look the Same?

Author: The Business of Fashion September 24, 2024 Duration: 26:35

A style renaissance that changed how many men dress – mostly for the better – has congealed into a sea of sameness, at least in the eyes of a growing number of fashion critics and influencers. Too many interchangeable brands take the same approach, blending tailoring with casualwear in neutral-toned collections that are stylish but often fail to inspire. The look is often derided as a menswear “starter pack,” but remains popular with consumers. 


This week on The Debrief, Brian Baskin sits down with correspondents Malique Morris and Lei Takanashi to discuss why this “starter pack” approach works for the industry - but at the cost of long-term brand building and customer loyalty. Additionally, they probe what brands must do to recapture consumers' imagination.


“Any brand can make a good product, but what makes a brand good, especially a good menswear brand, is having a great story that's worth telling,” says Takanashi.


Key Insights:

  • Menswear brands today are following a familiar formula, leading to a prevalence of “starter pack” lookbooks. “They all do some sort of version of this. Approachability, timeless, stylish and handsome but inoffensive look,” says Morris. This marketing playbook, popularised by brands like Aimé Leon Dore and followed by many others, has led to a lack of creativity and experimentation. As Morris puts it, “everything is good and nothing is great. So if everyone can dress well, then no one is actually cool.”


  • What makes brands stand out over decades isn’t radical changes in design, but compelling storytelling and mythmaking. Morris argues consumers may not be loyal to today’s menswear brands in the long term if they're just buying into a trendy and easy to copy aesthetic. 


  • But Takanashi notes that for certain brands that are seen as authentically embracing this style, their best bet is stick to what’s worked: “I feel like in the case of brands like Aimé Leon Dore and Supreme, the long game for them is becoming a heritage label … they have such a distinct point of view that they will always have a core consumer.” As Morris puts it, “what brands should think about is just being themselves.”


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Every week, The Debrief takes the most talked-about articles from BoF Professional and turns them into a deeper conversation. This isn't just about runway shows and red carpets; it's about the money, strategy, and often surprising forces driving the decisions we see. Hosted by seasoned BoF correspondents Sheena Butler-Young and Brian Baskin, the discussions pull back the curtain on a $2.5 trillion global industry, moving from the boardrooms of mega labels to the creative hustle of indie upstarts. You'll hear analysis of the pivotal deals, the disruptive technologies, and the powerful personalities that are constantly redefining what fashion means. The result is a clear-eyed look at the complex ecosystem where art, beauty, and commerce intersect. Tune in to this weekly podcast from The Business of Fashion for a nuanced perspective that goes far beyond the headlines, offering context and clarity on how the business actually works.
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