Beethoven Symphony No. 5

Beethoven Symphony No. 5

Author: Joshua Weilerstein August 1, 2024 Duration: 1:05:06

They are the most famous 8 notes in not only Western Music, but probably in all of music. If you walk down the street and ask someone to name a painting, they might say the Mona Lisa.  A movie?  Maybe Star Wars.  A piece of classical music?  Certainly, it would be Beethoven 5.  But why?  What makes those 8 notes so arrestingly powerful?  Well, this week, we're going to take a deep look at this ubiquitous piece, exploring lots of different questions.  What inspired Beethoven to write such a piece (a hint here, it probably wasn't fate knocking at the door)?  How was this symphony different from everything that came before it?  What influence did it have on composers of the future?  What are the OTHER 3 movements of the symphony like, since many people only know the first movement?  This symphony is monumentally important because in many ways it serves as the fulcrum between the classical and romantic eras. It is the most quoted piece of classical music there is, and it remains the most played symphony in the world. Today on this show from the archives, we're going to be exploring this symphony including new material that includes discoveries I've made about the symphony only in the last year or so, including the impact that the French Revolution had on the conception of this symphony. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Ives Three Places in New England [not-audio_url] [/not-audio_url]

Duration: 1:00:25
In 1929, the conductor Nicolas Slonimsky contacted the American composer Charles Ives about performing one of his works. This was a bit of a surprise for Ives, since he had a checkered reputation among musicians and audi…
William Grant Still Symphony No. 1, "Afro-American" [not-audio_url] [/not-audio_url]

Duration: 1:06:53
Fundraiser link here: https://www.eventbrite.com/e/1026719635067?aff=oddtdtcreator On October 29th, 1931, The Rochester Philharmonic in New York State presented the world premiere of a new symphony by the composer Willia…
Gershwin: Rhapsody In Blue [not-audio_url] [/not-audio_url]

Duration: 48:19
"It was on the train, with its steely rhythms, its rattle-ty bang, that is so often so stimulating to a composer – I frequently hear music in the very heart of the noise.... And there I suddenly heard, and even saw on pa…
Bartok Violin Concerto No. 2 [not-audio_url] [/not-audio_url]

Duration: 56:50
During Bartok's life, the violin concerto we now know as Violin Concerto No. 2 was simply known as Bartok's only violin concerto. The reason? His first concerto, written when he was a much younger man, had never been per…
Dvorak Symphony No. 7 [not-audio_url] [/not-audio_url]

Duration: 58:59
In December of 1884, Dvorak wrote to a friend about the composition of a new symphony: "I am now busy with this symphony for London, and wherever I go I can think of nothing else. God grant that this Czech music will mov…
Shostakovich Symphony No. 4 [not-audio_url] [/not-audio_url]

Duration: 1:08:30
Shostakovich's 4th symphony is not for the faint of heart. It is a massive work, around an hour in length, and it calls for the second largest orchestra of any in Shostakovich's output. It is uncompromising, sometimes br…
Mozart Requiem [not-audio_url] [/not-audio_url]

Duration: 1:06:56
This show is a bit different today. Last year I did a live video podcast on Mozart's Requiem for my Patreon subscribers. I've now edited that show into an audio-only version for everyone to be able to listen to, since th…
The Life and Music of Lili Boulanger [not-audio_url] [/not-audio_url]

Duration: 47:22
The history of classical music is littered with the stories of great composers who tragically died young. The composer I've been talking about for the last two episodes, Franz Schubert, died at 31. Mozart died at 36, Men…
Schubert Sonata in B Flat, D. 960 (Part 2) [not-audio_url] [/not-audio_url]

Duration: 54:14
There are a few tropes when it comes to Schubert's late music. The pieces are very long. They have four movements. The first two movemnts are expansive, magisterial explorations of the human psyche, and the last two move…
Schubert Sonata in B Flat, D. 960 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 40:07
For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a hu…