Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Author: Joshua Weilerstein February 19, 2026 Duration: 58:32

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony, and only published it when he was 49 years old. But when that symphony finally came out, it was a relative success for a new work, and with immense relief, Brahms quickly turned out another symphony in just 4 months.  Brahms' first symphony was quickly dubbed "Beethoven's 10th" something that annoyed Brahms to no end.  When told that the main theme of the last movement  resembled the Ode to Joy,  he notoriously responded, "any ass can see that!"  But all the same, Brahms had been re-anointed as Beethoven's successor with the symphony, and so therefore his second symphony would also be given a Beethovinian name, Pastoral.  The question since the symphony has been written has been this: just how pastoral and idyllic is this symphony? Many commentators see an unadulterated joy and gentleness in the piece, with some melancholy moments to be sure.  But overall, the piece is as sunny as it seems on its surface, with just the typical battles between happiness and sadness that mark every symphony. But there's another school fo thought with this symphony, and that is that it is marked by shadows and tremors that go way beyond simple sadness and happiness, and that these shadows and tremors leave a mark that can't be ignored.  I tend to believe in the second theory, but we're going to discuss this symphony with this framework in mind; whether this piece is as sunny as some people would have you believe, or if the shadows are the lasting impression we get as we walk away from the concert hall. We'll also discuss Brahms' innovations with form, and his evergreen ability to write some of the most stunning melodies on the planet. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 100

Sticky Notes: The Classical Music Podcast
Podcast Episodes
My Top 25 Favorite Moments in Classical Music (Part 1) [not-audio_url] [/not-audio_url]

Duration: 52:28
What MAKES a moment in a piece of classical music? Sometimes it's the result of careful pacing from a composer, the slow build to a powerful release. Sometimes it's about surprise, a sudden explosion, or even a sudden ex…
Mendelssohn Octet in E Flat Major, Op. 20 [not-audio_url] [/not-audio_url]

Duration: 1:03:17
From 1825-1827, Mendelssohn wrote 3 of his most beloved and most played works: his Midsummer Night's Dream Overture, his String Quartet, Op. 13, and the piece were going to talk about today, his Octet. What is truly asto…
Mahler Symphony No. 5, Part 2 [not-audio_url] [/not-audio_url]

Duration: 48:53
I left you last week after Part 1 of Mahler's 5th symphony, dazed and defeated. There seems to be no hope, and no way out. But as many of you know by now, Mahler reaches for the entire emotional spectrum in his music, an…
Mahler Symphony No. 5, Part 1 [not-audio_url] [/not-audio_url]

Duration: 57:58
There is a thread of musical theory called Schenkerian analysis, based on the work of Heinrich Schenker. Schenker believed that musical works could be boiled down to their fundamental structures and harmonies. Entire wor…
Schoenberg: Verklärte Nacht [not-audio_url] [/not-audio_url]

Duration: 57:39
I'm not sure there's ever been a composer who changed as much throughout his or her life as Arnold Schoenberg. Schoenberg would become famous, or infamous, depending on who you talk to, for his invention of atonality; th…
What Does an Opera Director Really Do? W/ Tabatha McFadyen [not-audio_url] [/not-audio_url]

Duration: 59:49
Have you ever wondered what exactly goes on behind the scenes putting together an opera? Have you ever asked yourself how a director make decisions on how to interpret the libretto of an opera? Why do some productions lo…
The Life and Music of Clara Schumann [not-audio_url] [/not-audio_url]

Duration: 48:33
Clara Schumann, without a doubt, was one of the greatest pianists of all time. Schumann's playing didn't just leave critics and audiences in raptures, it also left other composers amazed that their music could sound so b…
Brahms Symphony No. 1 [not-audio_url] [/not-audio_url]

Duration: 52:30
Brahms was only 20 years old when Robert Schumann wrote his famous Neue Bahnen(New Paths) article that proclaimed Brahms as the future of music and the heir of Beethoven. Beethoven had only been dead for 26 years at this…

«1...678910