Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Author: Joshua Weilerstein February 19, 2026 Duration: 58:32

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony, and only published it when he was 49 years old. But when that symphony finally came out, it was a relative success for a new work, and with immense relief, Brahms quickly turned out another symphony in just 4 months.  Brahms' first symphony was quickly dubbed "Beethoven's 10th" something that annoyed Brahms to no end.  When told that the main theme of the last movement  resembled the Ode to Joy,  he notoriously responded, "any ass can see that!"  But all the same, Brahms had been re-anointed as Beethoven's successor with the symphony, and so therefore his second symphony would also be given a Beethovinian name, Pastoral.  The question since the symphony has been written has been this: just how pastoral and idyllic is this symphony? Many commentators see an unadulterated joy and gentleness in the piece, with some melancholy moments to be sure.  But overall, the piece is as sunny as it seems on its surface, with just the typical battles between happiness and sadness that mark every symphony. But there's another school fo thought with this symphony, and that is that it is marked by shadows and tremors that go way beyond simple sadness and happiness, and that these shadows and tremors leave a mark that can't be ignored.  I tend to believe in the second theory, but we're going to discuss this symphony with this framework in mind; whether this piece is as sunny as some people would have you believe, or if the shadows are the lasting impression we get as we walk away from the concert hall. We'll also discuss Brahms' innovations with form, and his evergreen ability to write some of the most stunning melodies on the planet. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 100

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Schubert Sonata in B Flat, D. 960 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 40:07
For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a hu…
Mozart Piano Concerto in D Minor, K. 466 [not-audio_url] [/not-audio_url]

Duration: 48:12
H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was "an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a…
What is a Mode? [not-audio_url] [/not-audio_url]

Duration: 44:37
My first interaction with the musical term modes was Leonard Bernstein's brilliant Young People's Concert, also called What is a Mode? In that show, Bernstein showed how modes are an essential part of what makes modern m…
Brahms Piano Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 1:03:25
In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, " "I have no judgment about this piece anymore, nor any control over it." Brahms first began sketching his first piano concerto i…
Fast, Furious, Fortissimo [not-audio_url] [/not-audio_url]

Duration: 46:31
Very often, when I tell people that I'm a classical musician, I am told, "wow, I love classical music! It's so relaxing!" I think almost all classical musicians have heard that before, and you know what? Sometimes, it's…
Copland Symphony No. 3 [not-audio_url] [/not-audio_url]

Duration: 1:01:02
There has always been a debate about "The Great American Symphony." By the time most prominent American composers got around to writing large scale symphonic works, the symphony had very nearly gone out of fashion. To ma…
An Exploration of Klezmer Music w/ Abigale Reisman [not-audio_url] [/not-audio_url]

Duration: 56:48
Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violin…
Schumann Symphony No. 3, "Rhenish" [not-audio_url] [/not-audio_url]

Duration: 54:36
In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist…
Beethoven String Quartet, Op. 59, No. 1 [not-audio_url] [/not-audio_url]

Duration: 58:38
In 1806, the 36 year old Beethoven received a commission from the Russian ambassador in Vienna, Count Andreas Razumovsky. Razumovsky wanted a set of string quartets for what would soon be his house string quartet which i…
Ethel Smyth Serenade in D [not-audio_url] [/not-audio_url]

Duration: 48:09
I've mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but sh…