Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Author: Joshua Weilerstein February 19, 2026 Duration: 58:32

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony, and only published it when he was 49 years old. But when that symphony finally came out, it was a relative success for a new work, and with immense relief, Brahms quickly turned out another symphony in just 4 months.  Brahms' first symphony was quickly dubbed "Beethoven's 10th" something that annoyed Brahms to no end.  When told that the main theme of the last movement  resembled the Ode to Joy,  he notoriously responded, "any ass can see that!"  But all the same, Brahms had been re-anointed as Beethoven's successor with the symphony, and so therefore his second symphony would also be given a Beethovinian name, Pastoral.  The question since the symphony has been written has been this: just how pastoral and idyllic is this symphony? Many commentators see an unadulterated joy and gentleness in the piece, with some melancholy moments to be sure.  But overall, the piece is as sunny as it seems on its surface, with just the typical battles between happiness and sadness that mark every symphony. But there's another school fo thought with this symphony, and that is that it is marked by shadows and tremors that go way beyond simple sadness and happiness, and that these shadows and tremors leave a mark that can't be ignored.  I tend to believe in the second theory, but we're going to discuss this symphony with this framework in mind; whether this piece is as sunny as some people would have you believe, or if the shadows are the lasting impression we get as we walk away from the concert hall. We'll also discuss Brahms' innovations with form, and his evergreen ability to write some of the most stunning melodies on the planet. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 100

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Brahms B Major Piano Trio [not-audio_url] [/not-audio_url]

Duration: 55:26
When we listen to the music of Johannes Brahms, we often are reminded of the image of the portly bearded Brahms at the piano, eyes closed in a soulful pose. Brahms' works always, even in his youth, seemed to have a burni…
Sibelius Violin Concerto [not-audio_url] [/not-audio_url]

Duration: 48:02
There's a joke among classical musicians that the only parts of a piece that matter are the beginning, the end, and one place in the middle. I don't think its something that anyone really believes in, but the value of th…
Ravel, Bolero + La Valse [not-audio_url] [/not-audio_url]

Duration: 54:28
Maurice Ravel the Magician, the Swiss Watchmaker, the aloof, the elegant, the precise, the soulful, the childlike, the naive, the warm, the radical, the progressive. These are all words that were used to describe a man o…
Mussorgsky, Pictures at an Exhibition [not-audio_url] [/not-audio_url]

Duration: 58:50
Have you ever been to an art museum and wished that you had music to accompany your experience? Music that made the art you were looking at more vivid, more immediate, and more emotionally intense? Well, Modest Mussorgsk…
Beethoven Piano Concerto No. 4 [not-audio_url] [/not-audio_url]

Duration: 59:35
Welcome to episode number 200 of Sticky Notes!! On December 22nd, 1808, a day that would live in classical music lore forever, Ludwig Van Beethoven sat down for his very last appearance as a solo pianist to play this new…
Shostakovich String Quartet No. 8 [not-audio_url] [/not-audio_url]

Duration: 50:44
What did Dmitri Shostakovich intend to portray in his music? There is probably no more debated a question in all of 20th century Western Classica lMusic than this one. On the surface, it seems to have an easy answer. Sho…
What Does a Conductor Really Do? [not-audio_url] [/not-audio_url]

Duration: 47:04
Have you ever wondered what it is that us conductors are really doing up there? Are we just waving our arms in time to the music? What role does the conductor actually play in a concert? How about a rehearsal? Do we also…
All things Piano with Marc-André Hamelin [not-audio_url] [/not-audio_url]

Duration: 52:38
Marc-André Hamelin is one of the world's greatest living pianists. He is known as a virtuoso of the highest order and has made nearly 100 recordings spanning the gamut of the piano repertoire. In this conversation we tal…
Tchaikovsky Symphony No. 4 [not-audio_url] [/not-audio_url]

Duration: 1:00:30
"This is Fate, the force of destiny, which ever prevents our pursuit of happiness from reaching its goal, which jealously stands watch lest our peace and well-being be full and cloudless, which hangs like the sword of Da…
My 25 Favorite Moments in Classical Music (Part 2) [not-audio_url] [/not-audio_url]

Duration: 55:12
Last week we covered moments 1-15 in my top 25 favorite moments in classical music, going all the way up towards the end of the 19th century. This week we're going to explore 9 of my favorite moments from the wide world…