Scriabin Poem of Ecstasy

Scriabin Poem of Ecstasy

Author: Joshua Weilerstein July 23, 2026 Duration: 51:04

Thence the universe resounds


With a joyful cry 

I AM.

These are the final lines of Alexander Scriabin's epic Poem of Ecstasy, a 300-line poem that takes nearly 10 minutes to read aloud and is one of the most surreal texts in the world. Scriabin wrote a Poem of Ecstasy in text and a Poem of Ecstasy in music simultaneously. Both are absolutely wild, with the musical Poem of Ecstasy being a 20-minute thrill ride that alternates between languid, sinewy, seductive music and some of the loudest, most over-the-top, and dramatic music that could possibly exist. I've always been fascinated by Scriabin, and so this week's episode is an opportunity to talk about his wild (I'm going to be using that word a lot today) life and the eclectic philosophy behind Scriabin's works, as well as to take you through this masterpiece of musical sensuality. Scriabin not only doesn't shy away from sensual aspects in music but instead fully embraces them; in fact, the original title for this piece was Orgiastic Poem! Thankfully, since the piece probably would have never been performed with that title, Scriabin changed the name to Poem of Ecstasy, and the piece has stayed in the repertoire of most big orchestras ever since. And big is the key word here, because this piece is written for an absolutely massive orchestra. Like a Mahler symphony, the Poem of Ecstasy is an event whenever it is performed, simply from seeing the sheer size of the orchestra on stage when you see this piece live in concert. It is truly an overwhelming experience to listen to this piece, and I can't wait to share it with you this week. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 50

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag! [not-audio_url] [/not-audio_url]

Duration: 59:12
Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions a…
Amy Beach, "Gaelic" Symphony [not-audio_url] [/not-audio_url]

Duration: 1:00:56
Amy Beach is a name that might not be familiar to you. She was born in 1867 and died in 1944, and her life was one of the most fascinating and varied in musical history. She was a child prodigy, became a successful piani…
Smetana: Ma Vlast [not-audio_url] [/not-audio_url]

Duration: 1:05:54
Nationalism, patriotism, cultural identity, a sense of home; these are concepts and ideas whose popularity have ebbed and flowed throughout history. Nationalism has been seen as a natural expression of cultural identity…
Berg Violin Concerto [not-audio_url] [/not-audio_url]

Duration: 48:49
In the early 1930s, at the height of the atonal and twelve tone movement in music, the American violinist Louis Krasner commissioned a concerto from the Viennese Composer Alban Berg. Berg declined at first, saying that h…
Beethoven String Quartet, Op. 135 [not-audio_url] [/not-audio_url]

Duration: 57:42
There is nothing like hearing a Late Beethoven String Quartet for the first time. Beethoven's late string quartets, Op. 127, Op. 130, Op. 131, Op. 132, and Op. 135, are among the 5 greatest pieces of music ever written f…
Berlioz Symphonie Fantastique LIVE w/ The Aalborg Symphony [not-audio_url] [/not-audio_url]

Duration: 1:12:20
I'm so happy to share this live episode of Sticky Notes that I did with the Aalborg Symphony Orchestra in Denmark back in October! This episode covered Berlioz's remarkable Symphonie Fantastique - the ultimate symphonic…
Shostakovich Symphony No. 8 [not-audio_url] [/not-audio_url]

Duration: 1:08:33
Here are two statements by Dmitri Shostakovich about the same piece, the 8th symphony that we are talking about today: Statement No. 1, Shostakovich's published comments about the symphony when it was first performed in…
Literary Works in Classical Music [not-audio_url] [/not-audio_url]

Duration: 46:31
My Patreon sponsor for this episode, Adrian, set me a challenge: The influence of literary works on classical compositions, exploring pieces inspired by poetry, novels, or plays. He also asked me to do something else, an…